phaidon korean art from 1953

"—HERO magazine, "Global scholars and art specialists amass the first comprehensive look at North and South Korean art after the Korean War. 871 Likes, 9 Comments - Phaidon (@phaidonsnaps) on Instagram: “NEW SEASON SNEAK PEEK - Korean Art from 1953: Collision, Innovation and Interaction spotlights the…” We work with the world's most influential artists, chefs, writers and thinkers to produce innovative books on art, photography, design, architecture, fashion, … The survey compiles key texts written by art historians, artists, and curators. "—The New York Times Book Review, Yeon Shim Chung, Sunjung Kim, Kimberly Chung, Keith B. Wagner. Consulte disponibilidad . Breakout stars, such as Nam June Paik and Do Ho Suh, fill these pages too, with works that express both distinctly Korean sentiments, and say something more broadly about globalization, the immigrant experience, and technology. Starting with the armistice that divided the peninsula in 1953, this one-of-a-kind publication takes in the artistic movements and collectives that have flourished in this part of the world over the past seven decades, from the 1950s avant-garde through to the globalist period of the Gwangju Biennale in the 1990s, right up until the present day. Starting with the armistice that divided the Korean Peninsula in 1953, this one-of-a-kind book spotlights the artistic movements and collectives that have flourished and evolved throughout Korean culture over the past seven decades – from the 1950s avant-garde through to the feminist scene in the 1970s, the birth of the Gwangju Biennale in the 1990s, the lesser known North Korean art scene, and all the artists … Korean Art from 1953: Collision, Innovation and Interaction By:Yeon Shim Chung,Sunjung Kim,Kimberly Chung,Keith B. Wagner Published on 2020-03-25 by Phaidon Press. AUD$120.00 Buy art books online from the Phaidon Store. In 1953, when the Korean War ended in stalemate, painters in South Korea’s destroyed cities set out to forge a new art, breaking with the colonial tradition of Japan (which occupied Korea from 1910 to 1945), as well as new Western cultural influences. 1, 1980, Lee Ufan, From Line, 1973, glue and mineral pigment on canvas, Do Ho Suh, Apartment A, Unit 2, Corridor and Staircase, 348 West, 22nd Street, New York, NY 10011, USA, 2011–14, Artists of the Shinjeon Group – Kang Kuk-jin, Jung Kang-ja, Chung Chan-seung, Kim In-hwan, Shim Sun-hee, Yang Duk-soo – standing by Jung’s work Kiss me (1967), at the ‘Union Exhibition of Korean Young Artists’, Korea Information Center, Seoul, 1967, Park Hyun-ki, Video Inclining Water, 1979, performance, Korean Art from 1953: Collision, Innovation, Interaction, Yeon Shim Chung, Sunjung Kim, Kimberly Chung, Keith B. Wagner. "From Lee Bul to Name June Paik, Do Ho Suh and Park Seo-Bo, the roots of Korea's thriving contemporary art scene are deeply embedded within the country's complex historical narratives. CAD$105.00 This book is the first to survey and analyse the important, diverse and often beautiful developments in Korean art from 1953 to the present, and is a hugely rewarding read for those already familiar with East Asian contemporary art, as well as those still reaching for the subtitles when it comes to the cultural output of this fertile and distinct part of the world. €65.00 Technological developments and global political forces are outlined in the book too, as they shape the art of the peninsula. Contributing editors include Dr. Yeon Shim Chung of Hongik University, an expert in Korean art history; Art Director Sunjung Kim of Art Sonje, Seoul; Dr. Kimberly Chung, specialist in Korean visual culture; and Dr. Keith B. Wagner of University College London, a scholar on global cinema, media, and visual culture. Starting with the armistice that divided the Korean Peninsula in 1953, this one-of-a-kind book spotlights the artistic movements and collectives that have flourished and evolved throughout Korean culture over the past seven decades - from the 1950s avant-garde through to the feminist scene in the 1970s, the birth of the Gwangju Biennale in the 1990s, the lesser known North Korean art scene, and all the artists who have emerged to secure a place in the international art world. Starting with the armistice that divided the Korean Peninsula in 1953, this one-of-a-kind book spotlights the artistic movements and collectives that have flourished and evolved throughout Korean culture over the past seven decades - from the 1950s avant-garde through to the feminist scene in the 1970s, the birth of the Gwangju Biennale in the 1990s, the lesser known North Korean art scene, and all the artists who … “Korean Art From 1953,” a lavish new book, is the most significant English-language overview yet of modern and contemporary art on the peninsula. AUD$120.00 The first comprehensive survey to explore the rich and complex history of contemporary Korean art - an incredibly timely topic Starting with the armistice that divided the Korean Peninsula in 1953, this one-of-a-kind book spotlights the artistic movements and collectives that have flourished and evolved throughout Korean culture over the past seven decades - from the 1950s ABOUT PHAIDON Phaidon is the premier global publisher of the creative arts with over 1,500 titles in print. “ This is a stunning object, one that quite simply manages to look like one of Kapoor’s sculptures .” (Abe Books) There are lots of lesser-known names too. Wallpaper* City Guide 2011. Art & Photography Korean Art from 1953. "—HERO magazine, "Global scholars and art specialists amass the first comprehensive look at North and South Korean art after the Korean War. "—The New York Times Book Review, Politician Kim Dae-jung, president from 1998, viewing Nam June Paik’s Dolmen, 1995, at the 1st Gwangju Biennale, 1995, Oh Yoon, Marketing I—Hell Painting No. Kimberly Chung and Yeon Shim Chung reflect on the tumultuous forces at play in Korea in Phaidon’s latest book Lee Seung-taek, Burning Canvases Floating on the River, c.1988, performance. Anyone keen to understand both North and South Korea will gain valuable insights into the peninsula’s cultural life via this book; fans of Korean literature, TV and cinema will see how artists working in quite different media have expressed similar themes and ideas; readers of popular history will find plenty to enjoy here, from wars and dictatorships (on both sides of the border) through to later prosperity and success; and of course anyone with even a casual interest in contemporary art will delight in learning more about vital, vibrant work made by artists in this previously underexplored part of the art world. Korean Art from 1953: Collision, Innovation, Interaction is the first book to survey the diverse developments of Korean art from 1953 to the present. Courtesy of the artist and Gallery Hyundai. Even regular gallery goers will come across exiting new finds, such as the wild Shinjeon group, a mid 1960s pack of artists which stressed the aesthetics of anti-painting, anti-abstraction, and anti-art; or Park Hyun-ki, the pioneering video artist who worked hard to integrate the TV screen into the natural world. Ordenar por Listar. Hong Kong. Korean art experienced a significant rift as the Korean War ripped through the peninsula during the 1950s. ABOUT PHAIDON Phaidon is the premier global publisher of the creative arts with over 1,500 titles in print. £59.95 Korean Art from 1953: Collision, Innovation, Interaction. Post-war art from this hugely cultured, divided peninsula is brought together in this ground-breaking new publication. Korean ... Mostrando 49 a 60 de 337 (29 Páginas) Ver. It overflows with abstract painting and political printmaking, feminist performance and on-the-street photography, and for each South Korean artist you know (like the video art pioneer Nam June Paik) there are a dozen to discover." Ordenar por Listar. €65.00 CAD$105.00 Yet there is now, thankfully, an easier, more pleasurable way to gain an excellent overview of this great, divided region: Korean Art from 1953: Collision, Innovation, Interaction. Starting with the armistice that divided the Korean Peninsula in 1953, this one-of-a-kind book spotlights the artistic movements and collectives that have flourished and evolved throughout Korean culture over the past seven decades - from the 1950s avant-garde through to the feminist scene in the 1970s, the birth of the Gwangju Biennale in the 1990s, the lesser known North Korean art scene, and all the artists who … Ground-Breaking New publication 1953 de KIMBERLY ; KIM, SUNJUNG ; SHIM, CHUNNG entire world the compiles! 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